A queer sort of materialism : recontextualizing American - download pdf or read online

By David Savran

ISBN-10: 0472068369

ISBN-13: 9780472068364

ISBN-10: 0472098365

ISBN-13: 9780472098361

In enticing, available prose, best theater critic and cultural commentator David Savran explores the intersections among paintings and tradition, delivering clever, compelling interpretations of the industrial and social contexts of theatrical texts and practices. Acknowledging theater's marginal prestige in U.S. tradition, A Queer kind of Materialism takes on "the trouble-makers--the ghost, closeted gay, masochist, drag king, 3rd global laborer, even the white male as victim"--who determine extra prominently in theater than in different cultural types. In impeccably researched and argued essays that variety in subject material from Rodgers and Hammerstein to Paula Vogel, from unexpectedly final summer time to Iron John, Savran uncovers the ways in which such troublemakers either problem and make stronger orthodox social practices.
The choices provided listed below are by way of turns unique, informative, refined, and polemical, reflecting the author's twin citizenship as rigorous student and interesting theater critic. This booklet additionally offers a version for a type of queer ancient materialism that would end up important to quite a lot of disciplines, together with theater and function, gender and sexuality, queer/gay/lesbian/transgender stories, American reviews, and well known culture.
David Savran is Professor of Theater, the Graduate heart, the town collage of recent York, and writer of Cowboys, Communists, and Queers and Taking It Like a Man.

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Extra resources for A queer sort of materialism : recontextualizing American theater

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The performer is the most obviously destabilized of this group While Metz's analysis of theatrical spectatorship is clearly based upon insofar as he or she is always playing a role, always literally giving breath his acquaintance with European realistic and naturalistic theater, he is to an Other within the self. 27 Andre Bazin makes a similar point tator is effected rather differently from both, by the specificity of the the­ when he insists that "the human being is all-important in the theater;' atrical apparatus.

Compassion! "20 At the same time, however, even these universalizing projects must be recognized as producing a counterfeit universal insofar as the "homosexual" in these texts remains a white, male, middle-class subject whose racialized identity is clearly foregrounded by the presence of Belize and Ramon, each of whom rep­ resents an idealized fantasy: perfectly radical politics and perfectly fuck­ able body, respectively. Yet intriguingly, this counterfeit universalism also guarantees that this queered national identity will have a certain global purchase.

These differences payer-funded support for any of the arts. Combined government fund­ ensure that British drama is able to work "on all sorts of levels" and that ing (federal, state, and city) for nonprofit theaters in the United States British writers will produce universal works of art. After all, "Shakespeare accounts for only 5 percent of their total income. And although corpora­ is in their blood;' and has he not long been regarded as the template for tions, foundations, and individuals pick up some of the slack, the average the natural, eternal genius?

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A queer sort of materialism : recontextualizing American theater by David Savran


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