By Rosanne Olson
Every little thing we see is lit by way of one resource or one other. The questions are: what and the way? that's what this publication is designed to coach you. via Rosanne Olson’s tried-and-true path on lights rules for images, video, and artwork often, you will find how the angles and heights of your mild assets have an effect on your images. you'll find out how to paintings with gentle modifiers to alter the standard of your mild, and the way to regulate gentle to create a sense of intensity and dimension—whether you’re capturing with average mild, non-stop man made gentle, studio strobes, committed flash, or a mixture of resources. Assignments are incorporated that can assist you positioned each one idea into perform as you ideal your abilities and educate your eyes to determine the subtleties of sunshine. you are going to by no means examine a photo or portray within the related approach once you learn this book!
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Extra info for ABCs of Beautiful Light: A Complete Course in Lighting for Photographers
Assignment 9: Analyze Catchlights Collect images of six paintings from art history books or the Internet, then analyze the catchlights and the position of light in each. Make an overhead sketch of where you imagine the light source to be. the language of light 47 On the left, we see an image photographed at what the reflected-light meter suggested (f/8); it looks a bit dirty. 6). A reflected-light meter would likely overexpose this image (as seen on the left), diluting the dark mood. Metering and Meters We touched on metering in a previous chapter, but now let’s examine it in more detail, looking more extensively at the meters themselves and the options they give us.
If using this, one must understand the effects of high- or lowkey subjects so exposure adjustments can be made. 3. Spot Metering. 5 percent) in the center of the frame. This is useful when trying to precisely base your exposure on a small, selective area. 4. Center-Weighted Average Metering. This mode lies somewhere between the evaluative and partial metering modes. It is weighted for the center and averaged for the rest of the scene, so it works best when the subject is in the center and for evenly lit scenes.
Loop lighting A lighting pattern in which the light is placed slightly to the side of the subject. The loop-shaped shadow this produces below the nose does not extend to meet with the shadow on the cheek. Rembrandt lighting A lighting pattern in which the light is placed at an angle to the side of the subject. The shadow this produces extends to meet the shadow on the cheek, completing a triangular highlight on the shadow-side cheek. split lighting A lighting pattern in which the light is placed at a 90 degree angle to the side of the subject, leaving one side of the face completely in shadow.
ABCs of Beautiful Light: A Complete Course in Lighting for Photographers by Rosanne Olson