By N. Carter
This booklet deals a distinct and interesting exam of British and Irish responses to Italian independence and unification within the mid-nineteenth century. Chapters discover the interaction of faith, politics, exile, feminism, colonialism and romanticism in fuelling impassioned debates at the 'Italian query' on either side of the Irish Sea.
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Additional info for Britain, Ireland and the Italian Risorgimento
O’Connor, ‘The Dangerous Serpent’, p. 404. 53. O’Carroll, ‘The Irish Papal Brigade’, p. 81; A. , Nation//Nazione, p. 102. 54. O’Brien, ‘Irish Public Opinion’, p. 303; O’Carroll, ‘The Irish Papal Brigade’, pp. 88–9. See also A. O’Connor (2011) ‘The Pope, the Prelate, the Soldiers and the Controversy: Paul Cullen and the Irish Papal Brigade’, in D. Keogh and A. McDonnell (eds) Paul Cullen and his World d (Dublin: Four Courts Press), pp. 329–49. 55. This is particularly true of general survey studies of the subject.
The Times, 11 June 1940. J. Fleming (1973) ‘Art Dealing and the Risorgimento – I’, Burlington Magazine, 115, 838, p. 5. William Gladstone to Antonio Panizzi, 27 November 1860, British Library, Gladstone Papers, BM Add MS 44274. Diary of Lord Shaftesbury, 12 October 1860, Hartley Library, University of Southampton, SHA/PD/7. Hudson to Palmerston, 10 October 1851, Palmerston Papers, Hartley Library, University of Southampton, GC/HU/39. For more on Hudson’s role in the Risorgimento see E. Greppi and E.
Davis urged repealers to encourage ‘the revival of dancing jigs, reels, country dances, hurling and foot-ball matches’. Keening at funerals had declined, despite the availability in print of stylised laments. Davis said these printed versions should be used only after the ‘traditionary keens had been spread, practised and noted down’. Similarly, a review of a Dublin concert of Irish music noted that such melodies were ‘best heard from the sweet lips of a peasant countrywoman’. The search for an authentic ‘people’ is noteworthy.
Britain, Ireland and the Italian Risorgimento by N. Carter